Summer UV
Sun yellows and clouds the vinyl. Film that crackles to the touch is at end of life.

Gazebo and sun shelter specialty
Clear vinyl yellowed or torn? Replaced at your home in Montréal-Ouest, in the original frames — gazebos and sun shelters.
Three questions are enough to start. The official measurement is taken on site.
Whatever your retailer calls it — MICA film, clear vinyl, clear plastic, sun-shelter transparent fabric — it is the same material, and we replace it in Montréal-Ouest in your existing panels.
Sun yellows and clouds the vinyl. Film that crackles to the touch is at end of life.
Below freezing, MICA turns brittle — one handling or one gust splits it outright.
Slack vinyl flaps like a sail and eventually tears at the seams.
Montréal-Ouest is a small town of tree-lined streets, and behind its brick and stone houses from 1910 to 1940, the garden counts as much as the façade. The gazebo there is never period: a pre-war garden-suburb house was designed with a veranda or a porch, not with a screened shelter at the bottom of the lot. Whatever stands there was added, and often added with care — a custom-built wood structure, painted to match the house’s trim, with screen panels whose frames are unique to that shelter. Under the mature trees of a century-old neighbourhood, these gazebos age in the shade: little direct sun, plenty of moisture, leaves everywhere in the fall.
The fact that so many houses are semi-detached changes the geography of the lot. The shared wall removes one side, the backyard runs deeper than it is wide, and the gazebo settles at the far end, away from the house, where the ground opens up a little. Where a retail gazebo was chosen instead — less conspicuous, faster to assemble, set on a stone terrace or a slab — its standard-size panels live in a garden that is anything but standard, between a hedge and a large tree. Either way, these are panels that come off, get rebuilt and go back on, without the structure — a carpenter’s wood or a retailer’s aluminum — being touched.
On a custom wood structure, wear starts in the frame corners, where the damp of the shade works the wood and loosens the spline. The mesh slackens first, then tears at the corner the day someone pushes a little hard on the panel. The frame comes off, is squared up, is rescreened at the right tension — fibreglass for a sheltered garden, aluminum if the panel is large — and returns to its exact spot. On a retail gazebo, the clear vinyl is the fragile part; even in shade it eventually stiffens, and a stiff film splits in the first autumn wind. Each section is cut from its own measurement and the structure stays assembled — a gazebo set at the back of a planted lot doesn’t come apart for one section.
On a semi-detached, the party wall closes one side of the lot: everything comes and goes through the other, and a gazebo panel travels edgewise. A cleared passage before the visit is what keeps the work from having to happen in the garden for lack of a way out. The mobile workshop stays on the street or in the driveway, and the panels make the round trip one at a time. On a custom wood structure, each panel is tagged as it comes off so it returns exactly where it was: the frames are not interchangeable, and a few millimetres of difference is enough for a panel not to fit. Panels screwed into old millwork come off by hand, without forcing.
In the shade of the big trees, sun does little to the clear vinyl and the screens, but moisture works without pause: wood frames swell, channels fill with leaves and water, and a panel slackens from the bottom before it slackens at the top. Wind is broken by the semi-detached houses and the hedges, which lets fibreglass suit most panels. A film put up for the fall is best taken down in spring, stored flat and not folded. The bottom frames are the ones that touch garden soil and stay damp longest: checking those before the upper ones in spring saves rescreening twice in one season.
Prefer English? We serve you in whichever language you choose, in Montréal-Ouest as everywhere else.

This job was not in Montréal-Ouest — it shows our method, the same everywhere: panels down, new vinyl pane by pane, panels back up.




« Great service! He was at my neighbour’s and agreed to fix my back screen even though we had no appointment. Very successful repair, and inexpensive! »
« Ludovic replaced my screen in record time. Professional, and with a great sense of humour. I recommend his services — don’t hesitate to contact him, he’ll come to your home and do beautiful work. »
« Excellent service. Clear explanations of the work to be done. I really appreciated his dedication: despite the rain he insisted on finishing the job, soaked through and still smiling. The work was very well done. »
Straight answers
Not necessarily. A swollen frame is dried before anything else: the wood comes back to size, it gets squared, it gets rescreened, and it drops into its rebate again. Planing it right away is the wrong reflex — a frame planed while damp leaves a gap come summer. Switching to aluminum makes sense when the wood is split or rotted at the bottom, where water from the leaves has sat. You can also mix: new frames only for the panels that are past saving.
Edgewise, one at a time. A gazebo panel is thin, and even a narrow passage lets it through once it is cleared of whatever is in the way — bins, bikes, the garden hose. The work is done at the mobile workshop, then each panel goes back to its place. If a panel is truly too wide for the passage, it is rescreened on the spot, in the garden, without going out front.
In shade the film lasts longer because it hardly yellows; mostly it keeps the evening chill and light rain out of the shelter in September and October. It makes sense if the gazebo is used into the fall. If you close it up at the end of summer, well-tensioned screens are enough, and the film adds nothing but one more panel to look after.
Yes, at your home. We travel to Montréal-Ouest, remove the panels, replace the MICA vinyl in the original frames and put everything back — the gazebo structure is never touched. It is one of our specialties.
Yes. Depending on the retailer it is called MICA film, clear vinyl, clear plastic or transparent fabric — the same flexible material that cuts wind and holds warmth. We replace it on gazebos and sun shelters alike.
Yes. The vinyl is replaced pane by pane, in the existing frame — no need to redo the whole panel for one tear. If several panes have yellowed, doing them together gives a uniform result.
On assessment: the price depends on the number of panels and their dimensions. The quote is free, and a photo is often enough to price without a visit. Fabrication and installation guaranteed one year.
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