Summer UV
Sun yellows and clouds the vinyl. Film that crackles to the touch is at end of life.

Gazebo and sun shelter specialty
Clear vinyl yellowed or torn? Replaced at your home in Lachine, in the original frames — gazebos and sun shelters.
Three questions are enough to start. The official measurement is taken on site.
Whatever your retailer calls it — MICA film, clear vinyl, clear plastic, sun-shelter transparent fabric — it is the same material, and we replace it in Lachine in your existing panels.
Sun yellows and clouds the vinyl. Film that crackles to the touch is at end of life.
Below freezing, MICA turns brittle — one handling or one gust splits it outright.
Slack vinyl flaps like a sail and eventually tears at the seams.
In Lachine, the gazebo question starts with the wind. The waterfront and the canal open the old sector to gusts that the streets further north never feel, and a gazebo there lives harder than elsewhere. On the streets of early-20th-century brick duplexes and triplexes, the backyard is a narrow corridor between two sheds; a retail gazebo rarely fits in whole. A shelter there is more likely built to measure — a wooden structure backed against the fence, a pergola closed in with panels on the upstairs deck — with panels that match no catalogue size and are measured on site.
The post-war bungalow sectors, farther from the canal, are retail-gazebo ground: rectangular yards, wood decks, an aluminum or steel structure with standard panels, usually added years after the house itself. Near the water, the recent condos add a third case: exposed private decks, where a retail gazebo or pergola takes the wind with nothing to break it and where the co-ownership sometimes has a say in what may be seen from outside. Across these three kinds of housing, the same panel does not wear out the same way.
On a gazebo set in the wind off the water, the clear vinyl (MICA film) is the part that suffers: it slaps, stretches, yellows in the sun bouncing off the water, then splits all at once in a fall gust. On exposed frames we replace it with new clear vinyl, cut to the exact size of the pane and stretched into the original frame; on the sides that take the wind head-on, it is sometimes better to keep aluminum screening, which bends without breaking. The screen panels on bungalow gazebos show the classic wear: slack mesh, an open corner, a spline that has popped. We rescreen each frame at the mobile workshop. On a wooden structure behind an old plex, the frames are one of a kind and measurements are taken on site before any cut.
A bungalow’s retail gazebo comes apart panel by panel, with no special tools, and the driveway serves as the workshop. Behind an old triplex, the structure is on the deck or at the end of a corridor yard: panels go down the back staircase, often spiral, and are handled at an angle. On a condo rooftop terrace, access runs through the building — elevator, hallway, service door — and the common areas need protecting. In every case the structure stays anchored: on a roof, we never unbolt a gazebo to work on it, we only remove its panels.
Water decides things in Lachine. Wind off the waterfront and the canal calls for aluminum on exposed panels, because fibreglass bellies out there and works free of its groove. The insects that come off the water — no-see-ums in spring, mosquitoes as soon as the wind drops — pass through standard mesh; a tight weave genuinely changes evenings on a gazebo near the canal. Sun reflected off the water speeds up the yellowing of the film. The season is short on these windy decks: the film goes on early in the fall, and many will take it off in spring to get the air back.

This job was not in Lachine — it shows our method, the same everywhere: panels down, new vinyl pane by pane, panels back up.




« Ludovic replaced my screen in record time. Professional, and with a great sense of humour. I recommend his services — don’t hesitate to contact him, he’ll come to your home and do beautiful work. »
« Excellent service. Clear explanations of the work to be done. I really appreciated his dedication: despite the rain he insisted on finishing the job, soaked through and still smiling. The work was very well done. »
« Great service! He was at my neighbour’s and agreed to fix my back screen even though we had no appointment. Very successful repair, and inexpensive! »
Straight answers
Yes. The structure stays anchored to the roof: we remove only the panels, one at a time, and redo them on the spot or in the vehicle after bringing them down through the building. Access and timing need to be arranged with the condo board, and a protected path through the common areas has to be planned for carrying the panels out and back.
It holds on the sheltered sides and suffers on those that take the wind head-on. A common choice is to close the sides protected by the house or fence with film and leave aluminum screening on the exposed sides. We adapt panel by panel, since each frame is redone on its own.
Yes — that is exactly the case for made-to-measure panels. Every bay of the structure is measured on site, because a hand-built frame never has two identical openings. Frames are built to those dimensions, in mesh or clear film, and fastened into the wood without modifying it.
Yes, at your home. We travel to Lachine, remove the panels, replace the MICA vinyl in the original frames and put everything back — the gazebo structure is never touched. It is one of our specialties.
Yes. Depending on the retailer it is called MICA film, clear vinyl, clear plastic or transparent fabric — the same flexible material that cuts wind and holds warmth. We replace it on gazebos and sun shelters alike.
Yes. The vinyl is replaced pane by pane, in the existing frame — no need to redo the whole panel for one tear. If several panes have yellowed, doing them together gives a uniform result.
On assessment: the price depends on the number of panels and their dimensions. The quote is free, and a photo is often enough to price without a visit. Fabrication and installation guaranteed one year.
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